McTiernan holds up his end of the film admirably as well - he uses the claustrophobic nature of the office building to great effect (particularly in any scene involving an elevator shaft), and he keeps the film rolling at a rollercoaster pace, building up the anticipation of the audience before unleashing the action. (The fact that McClane often relies on his brains instead of his bullets to get out of his predicaments is also a big plus.) Simply put, "Die Hard" is one of the smartest and savviest action screenplays ever written. and the surprises don't come out of left field, but are actually clever and well thought-out. There's also enough twists and wrinkles thrown into the story to keep the audience guessing as to what's going to happen next. The story isn't completely believable, but it's believable enough, and it manages to move along at a quick enough pace to where the most glaring plotholes can easily be glossed over. Kudos should be given to both director John McTiernan and screenwriters Jeb Stuart and Steven DeSouza - the film is tight, electrifying, and clever, which is something few action films can ever claim. Terrorists, led by the enigmatic Hans Gruber (Alan Rickman), have taken over the office building in which Holly is working, and with Gruber holding the upper hand over the LAPD and FBI forces in Los Angeles, it's up to John McClane to save the day.
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Traveling to Los Angeles in a last ditch attempt to patch things up with his estranged wife Holly (Bonnie Bedelia), John McClane suddenly finds himself involved in a hostage situation. "Die Hard" is about John McClane (Bruce Willis, in one of his all-time best film performances), a basically good, honest New York cop with a penchant for annoying authority figures. or, for that matter, is better than "Die Hard". Since "Die Hard" was first released in 1988, it's difficult to think of a blockbuster action film that doesn't follow the basic structure and format of "Die Hard".
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every aspect of this film comes close to big-budget action movie perfection. The direction, the action, the story, the acting. "Die Hard" is lean, mean, and doesn't contain a single second of wasted screen time. Since it's also one of the best action films ever made, that happens to be a very good thing. "Die Hard" is the prototype type for the modern action film.
Additional Holly dialogue after seeing Karl's reaction to McClane's escape.Brief dialogue in Hans/Karl argument about "neutralizing" McClane.
City engineer briefly coughs before pulling out the power cord.Brief Ellis dialogue reacting to the terrorist intrusion.
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